Tsushima, an island where ancient nature worship is still prominent, stands as one of Japan’s leading producers of cultured pearls. Yet, despite Japan’s globally acclaimed pearl cultivation techniques, countless Akoya pearls that deviate from the ideal near-perfect sphere—often dismissed as “imperfect” or “reject” pearls—are harvested alongside their flawless counterparts. These lesser-valued pearls are largely discarded without ever being seen, a practice that seems antiquated when viewed through the lens of diversity and sustainability.

For over ten thousand years, the Japanese people have revered nature in its unaltered state, believing it to be manifestation of the divine. By the medieval period, this perspective evolved to embrace imperfections in objects, finding unparalleled beauty in their flaws and asymmetry. A prime example of this aesthetic is the traditional art of kintsugi, where fractures and imperfections are accentuated rather than concealed.

Inspired by this philosophy, we honor the individuality of each Akoya pearl, no matter its shape or form. Through the meticulous application of traditional kintsugi techniques, we seek to elevate these pearls, celebrating a uniquely Japanese expression of beauty that has been cherished since ancient times.